Charlotte Fonne presents a solo booth in Room 103.

She photographs a place from many views, then layers those photographs into a single frame. Two decades as a film editor taught her that meaning emerges from the combination of shots, in the mind of the person watching. Here she collapses that sequence into one image, so the connection happens at once. What results is not a view anyone could have stood in front of. It is a recollection, and the viewer finishes it. At a fair a visitor looked at one of her Venice works and said Moscow. She was not failing to see. She was rebuilding the image from what she carries. Recognition does not need a correct view. It needs experience.

Four series are shown. Structural, her ongoing study of the Art Deco hotels of Ocean Drive. The style was born in 1920s Paris, where her eye was formed, and is best preserved in Miami Beach, where she now lives. Breathe, landscapes and cities settled into a single impression. Broken, monuments layered from many angles into one image. Reflection, portraits of place.

Chromogenic prints on Fuji Crystal DP II, mounted on aluminum Dibond under acrylic glass. Two large works are archival pigment prints on cotton rag, mounted on aluminum Dibond. Limited editions, signed and numbered. Five works from her Structural Series are curated by Lumas and represented across their nineteen international locations.